Working within Alteronce Gumby Studio positioned me inside a multidisciplinary artistic practice where painting, ceramics, installation, performance, and film operate as a unified spatial language. My role focused on translating curatorial intent into three-dimensional models and renderings for exhibition spaces, allowing spatial relationships, scale, and circulation to be tested before fabrication. These visualizations supported exhibitions at institutions and galleries including Nicola Vassel Gallery, Jeffrey Deitch, the Stanford Anderson Collection, and Secci Gallery, serving as tools for internal critique and communication between artists, curators, and designers. Through this process, representation became an active design instrument rather than a final output.

Beyond digital production, I contributed directly to the studio’s material and logistical workflows, assisting with fabrication, sourcing, and the organization of evolving works. Supporting the development of new pieces required adaptability across scales, from object-based making to full spatial installations. This experience strengthened my understanding of how artistic ideas move from concept to physical presence within a gallery context. The studio reinforced a practice rooted in collaboration, precision, and the seamless integration of spatial design and contemporary art.